1.0Centro Botinhttps://www.centrobotin.org/en/rich600338<blockquote class="wp-embedded-content" data-secret="mleZjgA545"><a href="https://www.centrobotin.org/en/obra-carta/caprichos-whims-1797-1799-children/">Caprichos (Whims), 1797-1799 CHILDREN</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.centrobotin.org/en/obra-carta/caprichos-whims-1797-1799-children/embed/#?secret=mleZjgA545" width="600" height="338" title="“Caprichos (Whims), 1797-1799 CHILDREN” — Centro Botin" data-secret="mleZjgA545" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.centrobotin.org/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Goya’s Caprichos, just like his Sueños, are preparatory sketches that he later turned into engravings. All the ones you can see here were drawn using sanguine, which was the technique Goya favoured the most when transferring drawings onto the metal plate in order to create the master template that would be used to make prints […]https://www.centrobotin.org/wp-content/uploads/2020/01/centrobotinfitur2020-1200.jpg1200400