1.0Centro Botinhttps://www.centrobotin.org/en/rich600338<blockquote class="wp-embedded-content" data-secret="IC1VQ1UNVw"><a href="https://www.centrobotin.org/en/recorrido_piece/invisible-line/">Invisible Line</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.centrobotin.org/en/recorrido_piece/invisible-line/embed/#?secret=IC1VQ1UNVw" width="600" height="338" title="“Invisible Line” — Centro Botin" data-secret="IC1VQ1UNVw" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.centrobotin.org/wp-includes/js/wp-embed.min.js /* ]]> */ </script> This monumental painting was commissioned for a show at Punta della Dogana, an exhibition space housed in the former customs building of Venice; a place that perhaps exemplifies the way architecture evolves as its function changes to comply with the social system it is supposed to serve. Echoing the dynamics of this palimpsest of sorts, […]http://www.centrobotin.org/wp-content/uploads/2017/11/Julie-Mehretu-Invisible-Line-collective_2011_1080.jpg