{"id":66873,"date":"2024-10-24T11:17:06","date_gmt":"2024-10-24T09:17:06","guid":{"rendered":"https:\/\/www.centrobotin.org\/?p=66873"},"modified":"2025-03-19T15:49:26","modified_gmt":"2025-03-19T14:49:26","slug":"centro-botin-announces-its-2025-exhibition-programme-featuring-maruja-mallo-nuno-da-luz-and-cooking-sections","status":"publish","type":"post","link":"https:\/\/www.centrobotin.org\/en\/centro-botin-announces-its-2025-exhibition-programme-featuring-maruja-mallo-nuno-da-luz-and-cooking-sections\/","title":{"rendered":"CENTRO BOT\u00cdN ANNOUNCES ITS 2025 EXHIBITION PROGRAMME  FEATURING MARUJA MALLO, NUNO DA LUZ AND COOKING SECTIONS"},"content":{"rendered":"<ul>\n<li>A major retrospective of more than 100 works by Spanish avant-garde artist <strong>Maruja Mallo<\/strong>, a leading female artist belonging to Spain\u2019s \u2018Generation of \u201927\u2019, a 20<sup>th<\/sup> century movement of artists which comprised of figures such as Federico Garc\u00eda Lorca, Luis Bu\u00f1uel, and Salvador Dal\u00ed.<\/li>\n<li>The first solo exhibition in Spain of work by the artist duo <strong>Cooking Sections<\/strong>, who use food as a lens to trace landscapes in transformation. The show will uncover the signs and signals of extractivism etched onto coastal lands and include a new body of performative works deeply connected to the Cantabrian landscape that surrounds Centro Bot\u00edn.<\/li>\n<li>A new series of sound installations by Portuguese artist <strong>Nuno da Luz<\/strong> in dialogue with works by artists such as Tacita Dean, Katinka Bock and Damian Ortega from Fundaci\u00f3n Bot\u00edn\u2019s art collection. Da Luz\u2019s installation will incorporate live ambient sound in real-time from outside the walls of Centro Bot\u00edn.<\/li>\n<\/ul>\n<p>Centro Bot\u00edn\u2019s 2025 exhibition programme begins in spring with <em>M<\/em><em>\u00e1<\/em><em>scara y Comp\u00e1s,<\/em> a long-awaited retrospective of Spanish avant-garde artist Maruja Mallo, co-organised with Museo Centro de Arte Reina Sof\u00eda. As part of Centro Bot\u00edn\u00b4s commitment to present new insights into 20th century great masters, this ambitious exhibition &#8211; and its accompanying publication \u2013 will trace Mallo\u00b4s trajectory from 1924 until 1980, emphasizing how the popular, the performative and the telluric permeated her practice.<\/p>\n<p>Mallo\u00b4s show will be followed by the first exhibition in Spain of work by Cooking Sections, a duo formed by Daniel Fern\u00e1ndez Pascual &amp; Alon Schwabe whose practice uses food as a lens to observe landscapes in transformation. Grounded in the artists\u2019 recent research in the Cantabrian shores and valleys, the exhibition will combine the activation of projects from the last 12 years alongside new works that expose signs of human activity left in ecosystems.<\/p>\n<p>In line with Fundaci\u00f3n Bot\u00edn\u2019s mission to nurture and support the artistic community, the second edition of <em>Enredos<\/em> \u2013 a new programme centred on artists that have received a Fundaci\u00f3n Bot\u00edn Art Grant &#8211; will be led by Portuguese artist Nuno da Luz. Using sound as a relational practice, <em>Enredos II<\/em> will generate an atmospheric and sonic interplay between newly commissioned sound installations conceived by da Luz and a selection of works from Fundaci\u00f3n Bot\u00edn\u2019s art collection.<\/p>\n<p>B\u00e1rbara Rodr\u00edguez Mu\u00f1oz, Director of Exhibitions and the Collection at Centro Bot\u00edn said: \u201c<em>I am beyond thrilled to present next year\u2019s programme and bring to Santander a very necessary comprehensive exhibition of Maruja Mallo in partnership with Reina Sof\u00eda Museum. The show will honour the centrality of her practice in the international avant-garde scene as well as examining her works from current critical perspectives. It will be an honour to introduce Mallo\u2019s practice to international audiences, who may be more familiar with her contemporaries. I expect our visitors will rejoice with the oceanic and the earthly ecosystems that are central to all the exhibiting artists. From Mallo\u00b4s pictorial constructions on the fertility of nature and women\u00b4s labour in the landscape, to Cooking Sections\u00b4 sharp ecological readings of oysters and waves, and Nuno da Luz\u2019s streaming of ambient sound from Santander\u00b4s bay.\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>2025 Exhibition Programme<\/u><\/strong><\/p>\n<p><strong>MARUJA MALLO: <\/strong><strong><em>M<\/em><\/strong><strong><em>\u00c1<\/em><\/strong><strong><em>SCARA Y COMP<\/em><\/strong><strong><em>\u00c1<\/em><\/strong><strong><em>S<\/em><\/strong><\/p>\n<p>12 April &#8211; 14 September 2025<\/p>\n<p>Maruja Mallo (Viveiro, Galicia, 1902 &#8211; Madrid, 1995) was a leading artist of Spanish Avant-Garda and Surrealism, as well as one of the central figures of the \u2018Generation of \u201927\u2019, an important group of artists and writers based in Madrid, which included Rafael Alberti, Salvador Dal\u00ed, Federico Garcia Lorca and Luis Bu\u00f1uel. Her vibrant and diverse artistic output blurred the boundaries between the popular and the avant-garde, between aesthetics and politics, ultimately presenting a feminine worldview from the unprecedented perspective of the modern woman.<\/p>\n<p>This ambitious retrospective will present around 100 paintings and drawings, together with writings and photographs by the artist that chart her entire career: from the new realism of her early days to the geometric and fantastic configurations of her final works. The exhibition title M\u00e1scara y Comp\u00e1s evokes ideas of theatre, carnival and performance through the word \u2018m\u00e1scara\u2019 (mask), whilst \u2018comp\u00e1s\u2019 has a dual meaning in Spanish, referring to both a scientific compass as well as \u2018beat\u2019 or \u2018rhythm\u2019.<\/p>\n<p>The show will emphasise how the popular, the performative and the telluric permeated the artist\u2019s initial work, highlighting her ties with the theatre. The exhibition will trace the changes in her work due to the Spanish Civil War and her exile in Buenos Aires, where her portraits and still lifes metaphorically translate the impact of the environment and the culture of her adopted home. Lesser-known conceptual aspects of her late cosmic series will be made evident through her previously unpublished archival holdings, recently acquired by the Museo Reina Sof\u00eda as part of the museums acquisition of the Santander-based Archivo Lafuente.<\/p>\n<p>The exhibition is co-organised by Fundaci\u00f3n Bot\u00edn and the Museo Nacional Centro de Arte Reina Sof\u00eda, where the exhibition will take place from the 7 October, 2025 until 16 March, 2026.<\/p>\n<p><em>Curator: Patricia Molins<\/em><\/p>\n<p><strong>NUNO DA LUZ: <\/strong><strong><em>ENREDOS II<\/em><\/strong><\/p>\n<p>24 May &#8211; 19 October 2025<\/p>\n<p>For the second edition of Centro Bot\u00edn\u2019s <em>Enredos <\/em>programme, Portuguese artist Nuno da Luz will present an atmospheric and poetic interplay between his newly commissioned sound installations and a selection of works from Fundaci\u00f3n Bot\u00edn\u2019s art collection, by artists such as Javier Arce, Katinka Bock, June Crespo &amp; Maddi Barber, Tacita Dean, Asier Mendizabal, Damian Ortega, Leticia Ramos and Jorge Satorre.<\/p>\n<p>Titled <em>Collected Airs<\/em>, Nuno da Luz\u00b4s new series of works is conceived as a collective listening space composed of a growing and evolving ensemble of reverberation units that stretch and sustain any sound they receive in an echo. The analogue effect units will stream real-time ambient sound from outside Centro Bot\u00edn, and later become a timestamp and record of a particular date and time of the day, with its changing weather patterns and unpredictable events. <em>Enredos<\/em> is an exhibition programme that seeks to support and work closely with artists that have previously received a Fundaci\u00f3n Bot\u00edn Art Grant, who are invited to reengage with the collection, the building and its audiences.<\/p>\n<p>Nuno da Luz (Portugal, 1984) is a sound artist, publisher and researcher whose work circumscribes both aural and visual in the form of installations, performances, and printed matter. Grounded in attentive listening as an eco-sensible methodology, his practice undulates between the ecologies and pedagogies of noise-making and bookmaking.<\/p>\n<p><em>Curators: Nuno da Luz and B\u00e1rbara Rodr\u00edguez Mu\u00f1oz<\/em><\/p>\n<p><strong>Cooking Sections<\/strong><\/p>\n<p>18 October 2025 \u2013 31 March 2026<\/p>\n<p>Cooking Sections\u2019 first exhibition in Spain will present a series of works that trace the unexpected contours of human-made waves, clouds, shells, or tides. These material records can be read like the palm of your hand, revealing stories of desires and alliances, labour and dreams, histories of both past and present. Through phenomena such as offshore dredging, eroding estuaries, fish farming, soil acidification and rising sea levels, the exhibition uncovers the signs and signals of extractivism etched onto coastal lands. A new body of performative works will create sensorial connections across different landscapes, proposing a hopeful vision to reimagine possible futures.<\/p>\n<p>The exhibition follows on from <em>Reading Ocean Imprints,<\/em> a workshop led by Cooking Sections in September 2024 that took place in Santander and the Nansa Valley in Cantabria. The programme explored the natural environment of Cantabria and analysed the traces that human activity leaves in the ecosystems through readings, improvisations and performative actions.<\/p>\n<p>Cooking Sections was established by Daniel Fern\u00e1ndez Pascual and Alon Schwabe in London in 2013. Their practice uses food as a lens and a tool to trace landscapes in transformation, the spatial and metabolic legacies of extractivism. They have worked on multiple iterations of the long-term site-responsive CLIMAVORE project since 2015, exploring how to eat as humans change climates and how to metabolise climate breakdown.<\/p>\n<p><strong>ITINERARIOS XXX<\/strong><\/p>\n<p>15 November 2025 \u2013 27 April 2026<\/p>\n<p>Since 1993, Fundaci\u00f3n Bot\u00edn has awarded the Fundaci\u00f3n Bot\u00edn Art Grant to support Spanish and international artists in the research and production of new projects. The annual exhibition <em>Itinerarios<\/em> is the culmination of this grant, reflecting a broad range of interests and artistic practices. The thirtieth edition of<em> Itinerarios<\/em> will present the works of Gelen Jeleton (Murcia 1975), Javier Bravo de Rueda (Callao, Per\u00fa, 1989), Noa &amp; Lara Castro Lema (A Coru\u00f1a, 1998), Diego Delas (Aranda de Duero, Burgos, 1983), Nader Koochaki (San Sebasti\u00e1n, 1983) and Eduardo Navarro (Buenos Aires, Argentina, 1979).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A major retrospective of more than 100 works by Spanish avant-garde artist Maruja Mallo, a leading female artist belonging to Spain\u2019s \u2018Generation of \u201927\u2019, a 20th century movement of artists which comprised of figures such as Federico Garc\u00eda Lorca, Luis Bu\u00f1uel, and Salvador Dal\u00ed. The first solo exhibition in Spain of work by the artist [&hellip;]<\/p>\n","protected":false},"author":869,"featured_media":69351,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-66873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CENTRO BOT\u00cdN ANNOUNCES ITS 2025 EXHIBITION PROGRAMME FEATURING MARUJA MALLO, NUNO DA LUZ AND COOKING SECTIONS - Centro Botin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.centrobotin.org\/en\/centro-botin-announces-its-2025-exhibition-programme-featuring-maruja-mallo-nuno-da-luz-and-cooking-sections\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CENTRO BOT\u00cdN ANNOUNCES ITS 2025 EXHIBITION PROGRAMME FEATURING MARUJA MALLO, NUNO DA LUZ AND COOKING SECTIONS - Centro Botin\" \/>\n<meta property=\"og:description\" content=\"A major retrospective of more than 100 works by Spanish avant-garde artist Maruja Mallo, a leading female artist belonging to Spain\u2019s \u2018Generation of \u201927\u2019, a 20th century movement of artists which comprised of figures such as Federico Garc\u00eda Lorca, Luis Bu\u00f1uel, and Salvador Dal\u00ed. 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