CENTRO BOTÍN OPENS – SPAIN’S NEW ART CENTRE DESIGNED BY RENZO PIANO

Santander, 30 march 2017

  • First exhibition in Spain dedicated to Carsten Höller
  • Goya drawings exhibition highlights collaboration with Museo del Prado
  • Works from Fundación Botín’s contemporary art collection go on show
  • Cristina Iglesias creates new permanent public sculpture

Centro Botín, designed by Pritzker Prize-winning architect Renzo Piano as a permanent home for the art, cultural and educational programmes of Fundación Botín, Spain’s most important private cultural foundation, will open in Santander on Friday 23 June, it was announced today.

This will be the first building by Renzo Piano in Spain.

The 10,285 sq m. Centro Botín is located on a landmark site on Santander’s waterfront, reclaiming for the city an area formerly used as the Ferry Station car park. The building, raised above the ground, frames spectacular views of Santander and the bay and is covered with a unique surface of 270,000 ceramic tiles that reflect the changing colours of sea and sky. The building includes 2,500 sq m. of exhibition galleries, a 300-seat auditorium, classrooms, work spaces, an informal restaurant called El Muelle, created by two-Michelin star chef Jesús Sánchez, a shop, and a rooftop terrace offering a new vantage point overlooking the city and the bay.

Centro Botín is set in the historic Pereda Gardens, which, as part of the development, have been completely restored and extended, in a project led by landscape designer Fernando Caruncho in collaboration with Renzo Piano Building Workshop. The gardens have now doubled in size to an area of 9,884 acres, providing a beautiful new public space, a setting for public art, and linking the city centre with the waterfront.

Centro Botín will open with three major exhibitions, Carsten Höller, Goya and works from the permanent collection of Fundación Botín. The opening will be marked by the inauguration of a permanent sculptural intervention by Cristina Iglesias.

There will be a special exhibition, curated by Vicente Todolí and Udo Kittlemann, members of Fundación Botín’s Visual Arts Advisory Committee, of the work of the internationally acclaimed artist, Carsten Höller, his first show in Spain. Famous for his dizzying slides, and playful interactive installations, the exhibition will feature new works alongside a selection of well-known works, some specially restaged for the Centro Botín including Elevator Bed(2010). Visitors to the exhibition will be able to book a night in Elevator Bed, equipped with all the comforts of a luxury hotel room, experiencing the rest of the exhibition as the bed rotates and goes up and down, rising up to 3.5 metres above ground. Alongside the exhibition Carsten Höller has created a new site specific light installation, 7.8Hz, commissioned by Fundación Botín for the Pereda Gardens, and active from sunset to sunrise.

Reflecting the pioneering work of Fundación Botín in the field of research into the drawings of Spain’s great artists from the 17th century to the present day, there will be an important exhibition of 80 drawings by Francisco de Goya, selected from Museo del Prado’s world famous collection. ‘Agility and Audacity. Goya Drawings’ is curated by José Manuel Matilla, Head of Museo del Prado’s Department of Prints and Drawings; and Manuela Mena, Chief Curator of the 18th century Painting and Goya section of Museo del Prado, a member of Fundación Botín’s Visual Arts Advisory Committee. The exhibition coincides with the publication of the first volume of the catalogue raisonné of Goya’s drawings, a five-year programme of work developed in a unique collaboration between the Prado and Fundación Botín.

A first selection from the permanent collection of the Fundación Botín will feature works by artists who have directed a visual arts workshop over the past fifteen years, as well as works by recipients of the foundation’s visual arts grants. These include Lara Almarcegui, Miroslav Balka, Carlos Bunga, Tacita Dean, Carlos Garaicoa, Mona Hatoum, Antoni Muntadas and Juan Uslé.

Spain’s internationally renowned artist, Cristina Iglesias, has designed a permanent sculptural intervention for the surroundings of Centro Botín and Pereda Gardens, constructed in stone and steel and flowing water, entitled Desde lo subterráneo (From the Underground).

The programme is developed by Fundación Botín’s Visual Arts Advisory Committee under the leadership of its President, Vicente Todolí, former Director of Tate Modern, and Benjamin Weil, Artistic Director of Centro Botín. Other members of the Committee include Paloma Botín, Udo Kittelmann, Manuela Mena and María José Salazar. Centro Botín is directed by Fátima Sánchez. In the fall, Centro Botín will present a retrospective of works by Julie Mehretu, curated by Vicente Todoli and Suzanne Cotter, director of Museu de Arte Contemporaneo Serralves, with whom the exhibition has been co-produced.

Centro Botín will be a beacon for the continuously growing cultural and educational work of the Fundación Botín in Spain which began in the 1980s, and includes exhibitions by major international artists, focus exhibitions from the Fundación Botín’s collection of contemporary art, and regular showings of work by younger generation artists involved in the continuing programme.

Fundación Botín’s workshop programme, which has existed for over two decades, brings major artists to Spain to mentor young artists, and to then exhibit their work in the foundation’s exhibition space – as of now, at Centro Botín. Recent participants in this programme include Joan Jonas, Julie Mehretu, Carlos Garaicoa and Tacita Dean.

Centro Botín will also be home to the Fundación’s acclaimed educational activities, created in collaboration with Yale University, focusing on the role of the arts in developing emotional intelligence and encouraging creative mindsets, through workshops, seminars, courses and other educational activities.

Iñigo Sáenz de Miera, Director General of the Fundación Botín, said today: “Building on our work in the community over the last fifty years, our vision for Centro Botín is to be one of Spain’s leading arts centres; a welcoming place for people to enjoy themselves, learn and become inspired, and an engine for generating economic, social and cultural wealth for the region of Cantabria and Northern Spain.”

Centro Botín, Calle Muelle de Calderón 8, 38004 Santander (Cantabria), Spain
centrobotin.org

Press Enquiries (for international media):
Jane Quinn/Dennis Chang, Bolton & Quinn + 44 (0) 20 7221 5000
jq@boltonquinn.com or dennis@boltonquinn.com

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About the Fundación Botín

The Fundación Marcelino Botín was created in 1964 by Marcelino Botín Sanz de Sautuola and his wife, Carmen Yllera, to promote social development in the region of Cantabria. More than fifty years later, maintaining its primary focus on the region, the Fundación Botín, chaired by Javier Botín, now operates all over Spain and Latin America, exploring new ways to uncover and support creative talent, to create cultural, social and economic wealth. The Fundación organises programmes in the fields of the arts and culture, education, science and rural development and supports social institutions in Cantabria. Santander has been the home for four generations of the Botín family, founders of Banco Santander, which is also headquartered in the city.

About Santander

Santander is the capital city of the Cantabria region on Spain’s north coast. Set between sea and mountains, its 19th century buildings, its outdoor terraces and its spectacular location on the wide bay of the Cantabrian sea provide an elegant backdrop to the city. Its marine and commercial tradition is linked to a century old history of tourism which includes attractions such as Sardinero beach, La Magdalena peninsula, the passage of the camino de Santiago and the neighbouring Altamira Caves, both of which have been declared World sites Heritage.

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